by Andrew James Horton The very idea of Russian director Aleksei Balabanov—whose oeuvre up to now has been characterised by a series of deft leaps between contrasting genres, spanning both art house and mainstream styles—doing a sequel is something of a novelty. However, the success of his popular gangster flick Brat (Brother, 1997) has now inspired him to do what […]
You have reached a premium content area of Transitions. To read this entire article please login if you are already a Transitions subscriber.
Not a subscriber?
Subscribe today for access to:
Full access to the website and archive of over 26,000 articles
Exclusive monthly, members-only newsletter offering behind-the-scenes views from our contributing writers
A guest, two-month subscription to share with a friend
