13481>by Andrew J Horton After two screenings at the London Film Festival of his third and latest film Abendland (see accompanying review), director Fred Kelemen met with CER at the Covent Garden offices of Artificial Eye, the company which will be distributing the film in the UK, to discuss why hope is so negative, Kelemen’s […]

You have reached a premium content area of TOL. To read this entire article please login if you are already a TOL subscriber.

Not a subscriber?

Subscribe today for access to:
Full access to the website, including premium articles videos, country reports and searchable archives (containing over 25,000 articles).

You can subscribe here to gain access to the entire website.