The program aimed at reconstructing the monetary system and the strategy of Yugoslavia’s economic recovery could fare like a cinema audience after World War Two in Bulgaria: it was announced that a Swedish erotic film would be shown free of charge, but it turned out that the film was a Russian war epic and that tickets had to be bought […]
You have reached a premium content area of Transitions. To read this entire article please login if you are already a Transitions subscriber.
Not a subscriber?
Subscribe today for access to:
Full access to the website and archive of over 26,000 articles
Exclusive monthly, members-only newsletter offering behind-the-scenes views from our contributing writers
A guest, two-month subscription to share with a friend
