Lamenting the decline of documentary filmmaking in Russia, Olga Sherwood examines what it is about Russia that interests foreign directors. From openDemocracy. By Olga Sherwood18 January 2011Happy Days in Terrible Times The memoirs of Pippi Longstocking’s translator sell like hot cakes and break new ground in Russian writing about the Stalin era. By Ostap Karmodi14 July 2010(Don’t) Look Back A new encyclopedia […]
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