by Elke de Wit Take a combination of Nick Hornby’s book Fever Pitch and British film megahit The Full Monty, set it in a working class area of the German Ruhr area, and you pretty much have Tomy Wigand’s Fußball ist unser Leben (Soccer Rules, 1999). All that’s lacking really is the striptease. This affectionate, highly amusing, but slightly predictable […]

You have reached a premium content area of Transitions. To read this entire article please login if you are already a Transitions subscriber.

Not a subscriber?

Subscribe today for access to:
Full access to the website and archive of over 26,000 articles

Exclusive monthly, members-only newsletter offering behind-the-scenes views from our contributing writers

A guest, two-month subscription to share with a friend

You can subscribe here to gain access to the entire website.