James Cameron and Steven Soderbergh’s intrepid remake of a modern classic is both good and original. Unfortunately, what’s good in it isn’t original, and what’s original . . .

You have reached a premium content area of Transitions. To read this entire article please login if you are already a Transitions subscriber.

Not a subscriber?

Subscribe today for access to:
Full access to the website, including premium articles videos, country reports and searchable archives (containing over 25,000 articles).

You can subscribe here to gain access to the entire website.